Understanding Plain vs. Rich Black

In the graphic arts, the color “black” isn’t quite so black and white. Being aware of the “shades of black” can help you maximize the impact of your design Inkscape download.

There are two basic categories of black: <i>plain black</i> and <i>rich black</i>. Plain black is created using 100% black ink 의학 서적 pdf 다운로드. Rich black, on the other hand, is created using some combination of process colors.

Although rich black is called “black,” it doesn’t look entirely black daum tvpot 다운로드. It looks more like a very dark gray. Therefore, some black ink is generally added to the CMY mix. For example: drag out a square marquee in Photoshop, fill it with black, and you’ll see that “black” is actually C=75, M=68, Y=67, K=90 Download Avira Hangul edition.

These differences are important because using rich black rather than plain black can have different results aesthetically and during printing process 해피 데스데이 다운로드.

For example, because rich black uses more ink than is really required, if you have heavy black ink coverage, you can run the risk of oversaturating the paper 클래스101 동영상 다운로드.

Using rich black and plain black interchangeably can also give your document an inconsistent look. This is especially true where typography is concerned e prime 다운로드. Because rich black is made up of multiple colors, you can run the risk of even minor registration errors ghosting and blurring your type.

You may want to use a rich black for aesthetic reasons, however, such as to create warmer feel 영국약전 다운로드. Rich blacks vary in the levels of the constituent colorants. More cyan and/or magenta tends to boost the “warmness.” More pure black tends to “cool” it down 청소년서체 다운로드.

Just as we would never think of the color “red” or “blue” without some kind of qualification, we never assume that all black is created equal either 북로그 다운로드. As always, it’s worth checking with us to see if we have any advice or cautions regarding the use of rich vs. plain black.

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